The internet is very good at holding your attention. A lesson starts, another recommendation appears, and before long you have watched an hour of people talking about music without spending much time making it. It can feel productive. Often, it is only edu-tainment.
The important material is not secret
Most contemporary musicians need command of a relatively small body of knowledge: time, rhythm, harmony, the ear, the instrument, and the ability to connect them. This material has passed from musician to musician for generations. It forms the basis of serious music education, and it should not be hidden behind a paywall.
The hard part is not finding another explanation. The hard part is staying with an idea long enough to understand it from every angle, extend it across the instrument, and reduce the thought required to use it.
Knowledge becomes useful when it is available in the moment you need it.
Tools should send you back to the instrument
An OpenBass tool should have a clear job. It should help you hear something, practice it, or discover whether you really know it. Then it should get out of the way. The goal is never more time on the site. The goal is better playing away from it.
Take the slow path
There is no overnight transformation here. Expect repetition. Expect memorisation. Expect to find gaps between what you understand and what you can reliably play. Those gaps are not failure; they are the work becoming visible.
OpenBass will grow into a curriculum of articles, exercises, tools, and tests. No hacks. No feed. No locked knowledge. Just material worth learning and a practical way to work on it.